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Again with the Hugos
james_nicoll
The usual

Best Novel
The only one of the novels I've read is the Corey but in the set of Hugo nominated books I read, it was clearly the best. There's not a hope in hell it will win (although fun book, go read it).

The only book I actively don't want to see win is the Martin because I'm hoping to see in my lifetime the death of the book-fragment of writing and at this point I don't actually think the series is going anywhere.

This could be Jo's year. I've only heard good things about her book and it seems to be the sort of inward facing material voters apparently like, given the makeup of the nominees.


Best Novella

If I read any of these, I think forgot them.

Best Novelette

Ditto.


Best Short Story

The only one of these I read and remember reading is the Yu, which struck me and I mean this in a positive sense, more as Prometheus Award fodder than Hugo fodder.

Presumably the Resnick is as horrible as his previous nominated stories. It better not win.


Best Related Work

The only one of these I looked at was the encyclopedia and unlike the previous editions, I don't find myself going back to it. A magnificant work in its day but I think its been superceded.

No opinion overall.


Best Graphic Story

I have not read any of them.


Best Dramatic Presentation (Long Form)

Saw the superhero one, the GoT and the Harry Potter. Potter's the second half of a story and I do not want to see the story-chunk model proved more viable than it already is so it's out. Game of Thrones also part of the story-chunk model and while I understand the limitations under which Martin works, way too rapey for me to want to see it get an award. Captain America it is: it did what it set out to do and it's not the makers fault they're facilitating a Joss Whedon film as a sequel.


Best Dramatic Presentation (Short Form)

As much as I enjoyed watching last year's Drink Tank's Hugo Acceptance Speech, giving it an award is way, way too incestious. Doctor Who obviously crap, so although I have not seen it clear either Source Code or No Award.

Best Semiprozine

No opinion


Best Fanzine

No opinion.


Best Fancast

No opinion.


Best Professional Editor - Long Form

I don't have enough information to decide.


Best Professional Editor - Short Form

In terms of number of award-winning stories bought, the front runner is clearly Sheila Williams.


Best Professional Artist

No opinion.


Best Fan Artist

Not Taral Wayne until such time as he never published a photo of Fred Pohl with a bullet hole in his forehead for the crime of having won despite Warne's preferences and then blamed Mike Glyer for not stopping Wayen from published a photo of Fred Pohl with a bullet hole in his forehead for the crime of having won despite Warne's preferences. Also, as I recall his objections to Pohl, a pro like Wayne shouldn't even be down in this section of the awards.


Best Fan Writer

I would just like to say even I was shocked at how quickly my sense of entitlement set in and I am me so am pretty familiar with how I think.

Anyway, gut feeling is leaning towards Hines although any of these people would be worthy winners.


John W. Campbell Award for Best New Writer

E. Lily Yu, hands down.

Also posted at Dreamwidth, where there are comment count unavailable comment(s); comment here or there.

"This could be Jo's year. I've only heard good things about her book and it seems to be the sort of inward facing material voters apparently like, given the makeup of the nominees."

Most of the reviews have focused (almost exclusively) on the inward-looking aspects of the novel, which obscures the fact that apart from being about being an SF fan, it's also a brilliant multilayered fantasy novel about what happens after you defeat the Big Bad - sort of a "scouring of the Shire" novel. I read a lot of reviews of it while I was waiting for it to come out in paperback, and I cannot remember the last time I was given such a distorted perception of the nature of a book by reading reviews.

Which is a long-winded way of saying that it's not just, or even mostly, a novel about growing up as a fan of SF, although you'd never know that from the reviews.

it's also a brilliant multilayered fantasy novel about what happens after you defeat the Big Bad

Or it's a fictional (non F/SF) novel about a traumatised, abused girl who suffers from psychotic delusions.

As you say, multi-layered.

Source Code is Long Form, not Short Form. The remaining Short Form is Remedial Chaos Theory, from Community, and it absolutely deserves the award way more than the three Whos.

I tried watching Community but didn't get into it.

Odd to see all these Yus in science fiction. On the other hand, it's a more common name in the US than Nixon.

When was the last time a Nixon won even a small part of a Hugo? The Apollo 11 Hugo?

Ha! I picked up How To Live Safely In A Science Fictional Universe because I thought I recognized the author's name. It turns out you didn't write it. (But Yu did).

The Nixons are a small tribe of Scottish borderers, after all (see GM Fraser's amusing "The Steel Bonnets" for more).

William Hyde

For those long-form awards, I saw Captain America, Harry Potter part 8, and Source Code. The last was the best of them, but I wouldn't think any of them deserve an award.

While I think Captain America brings the superhero movie to the apex of its art; it's just about perfect in every way. That's exactly the kind of thing that SHOULD get a Hugo. I don't think it will win, but I'd vote for it.

On the graphic story front, I thoroughly enjoy The Unwritten, and am looking forward to the next collection a lot.

I've read Digger. It's excellent: intricate, thought-provoking, philosophical, terrifying, loving, and humourous. I recommend it.

Of the rest, I've seen only the Potter and the three Who episodes. I really liked The Doctor's Wife, and I'm about to head to a bookstore to get Among Others, if they have it, because your comment and glaurung_quena's comment makes it sound really good.

Is "book fragment" writing a reference to how some series go on and on with none of the books being able to stand on their own?

Edited at 2012-04-08 05:51 pm (UTC)

Yes. I'd call it the Lord of the Rings model but JRRT had extenuating circumstances. Anyway, that model needs to be killed with fire.

Best novel: I've only read Jo's, although I've started Leviathan Wakes. (Stopped when it got grim. Haven't picked it up again, although I suppose I will.) I think the Martin has a good chance of winning, due to sheer popularity; I think that China and Jo have good chances of winning because they're just that good as authors. As I said before, it seems to be a solid list of nominations, despite some of the omissions.

Best Dramatic Presentation (Long Form): I fully expect GoT to win. It was very good -- I was never able to finish reading the first book, and I found the series quite engaging. Hugo (never seen it personally) sounds like it was quite good, and the name alone makes me think a lot of people may select it as 2nd or 3rd choice as a joke. Source Code was shockingly good, despite the horrible title; better than "the superhero one," I think.

Best Dramatic Presentation (Short Form): That episode of Community was far from its best (I think the paint-ball war two-part episode from the previous season was). My prediction is that the Gaiman episode will win. Because it's Gaiman.


I've started Leviathan Wakes. (Stopped when it got grim.

Things, I am sad to say, get worse. The space captain in particular has a very special talent for sharing exactly the wrong information at the worst possible time.

Does it help if I say the moral turns out to be "being a sociopath who uses other people like spare machinery parts is wrong, even if you're doing in pursuit of a goal many people find laudable"?




Not being the best Community episode is in no way the same as being a bad episode - and Community at it's worst is still on par with the average Who.

(Yes, the paintball two-parter was better - but it also didn't qualify for a Hugo. Remedial Chaos Theory was a sci-fi episode.)

I agree with the "Gaiman because Gaiman" prediction, but that doesn't mean it actually deserves to win.

I liked the Gaiman episode and I'm not particularly a Gaiman fan.

Hugo was beautifully shot, but cutesy and nostalgic and saccharine. I would not have finished watching it if we hadn't been with company.

I am totally stoked about "Digger"'s nomination. Not little in part because a long long time ago I was chatting online with a comic artist who wanted to do a webcomic, but wasn't sure what to do. And I suggested experimenting with a black and white one page a week, since it fit her style.

It turned out to be a really successful experiment!

I adored Lily's story and she's obviously a strong (and young, so very young, I think she's 21) candidate... but you don't see Karen Lord as a contender?

Only in the sense I am not knowingly familiar with her work.

Gosh, I hadn't heard about the Taral Wayne thing. I am cross that you aren't in there.

Gosh, I hadn't heard about the Taral Wayne thing.

Enjoy!

I am cross that you aren't in there.

What did I do in 2011 that was any more Hugo-worthy than whatever I did in 2009, another year in which I was not nominated?

I am amused that Taral Wayne is lined up for yet another year of Didn't Win Anything, in the sense that it's kind of an in joke at this point.

On the other hand, I'd enjoy seeing James nominated for Best Cat Related Blog or Most Unlikely Survivable Disaster or whatever...

[SFE was] A magnificant work in its day but I think its been superceded.

Superseded by?

Hello, James...I had some hopes to get on the ballot this year, and I did have lots of promises. It does make me wonder what I did to get on the ballot in the first place in 2010.